Alla Paul Signacs Oljemålningar
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Föregående 1 2 3 4
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| ID |
Bilder |
Oljemålningar Från A till Z |
Information |
| 33977 |
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Two Milliners,Rue du Caire |
mk87
c.1885/86
Oil on canvas
111.8x89cm
Zurich,Stiftung Sammlung E.G.Buhrle
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| 48752 |
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Unknown work |
mk191
Oil on canvas
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| 48769 |
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Unknown work |
mk191
Oil on canvas
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| 36972 |
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Venice |
mk115
1905
Oil on canvas
130x163cm
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| 45000 |
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Venise-Le Nuage Rose |
mk183
Signed and dated 1909
Oil on canvas
73x92cm
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| 36916 |
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Wave |
mk115
1888
Oil on canvas
60x92cm
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| 71284 |
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woman |
mk290 1894 6x9in |
| 71265 |
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woman arranging her hair opus |
mk290 1892 23x27in |
| 11583 |
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Woman by Lamplight |
1890
9 3/4'' x 6''(24.5 x 15 cm)Gift of Mrs.Ginette Signac,1976 |
| 71223 |
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woman reading |
1887 9x5in musee d orsay paris gift of ginette signac1979 |
| 54185 |
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Woman Taking up Her Hair |
mk235
1892
Oil on canvas
59x70cm
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| 71275 |
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woman with a parasol |
mk290 1893 32x26in |
| 3824 |
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Women at the Well |
1892
Musee d'Orsay,Paris |
| 40826 |
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WOmen at the Well |
mk156
1892
Oil on canvas
210x146cm
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| 80144 |
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Women at the Well |
Paul Signac: Women at the Well, 1892; Oil on canvas
cjr |
| 21105 |
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Women at the Well (Young Provencal Women at the Well) (mk06) |
1892 (Salon des Independants,1893)6' 4 3/4'' x 4' 3 1/2''(195 x 131 cm)RF 1979-5 |
| 71269 |
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women at the well opus |
mk290 1892 76x51in |
| 71330 |
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yellow sunset |
mk290 1918 7x9in |
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Föregående 1 2 3 4
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| Paul Signac
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| 1863-1935
French
Paul Signac Galleries
Paul Victor Jules Signac was born in Paris on November 11, 1863. He followed a course of training in architecture before deciding at the age of 18 to pursue a career as a painter. He sailed around the coasts of Europe, painting the landscapes he encountered. He also painted scenes of cities in France in his later years.
In 1884 he met Claude Monet and Georges Seurat. He was struck by the systematic working methods of Seurat and by his theory of colours and became Seurat's faithful supporter. Under his influence he abandoned the short brushstrokes of impressionism to experiment with scientifically juxtaposed small dots of pure colour, intended to combine and blend not on the canvas but in the viewer's eye, the defining feature of pointillism.
Many of Signac's paintings are of the French coast. He left the capital each summer, to stay in the south of France in the village of Collioure or at St. Tropez, where he bought a house and invited his friends. In March 1889, he visited Vincent van Gogh at Arles. The next year he made a short trip to Italy, seeing Genoa, Florence, and Naples.
The Port of Saint-Tropez, oil on canvas, 1901Signac loved sailing and began to travel in 1892, sailing a small boat to almost all the ports of France, to Holland, and around the Mediterranean as far as Constantinople, basing his boat at St. Tropez, which he "discovered". From his various ports of call, Signac brought back vibrant, colourful watercolors, sketched rapidly from nature. From these sketches, he painted large studio canvases that are carefully worked out in small, mosaic-like squares of color, quite different from the tiny, variegated dots previously used by Seurat.
Signac himself experimented with various media. As well as oil paintings and watercolours he made etchings, lithographs, and many pen-and-ink sketches composed of small, laborious dots. The neo-impressionists influenced the next generation: Signac inspired Henri Matisse and Andr?? Derain in particular, thus playing a decisive role in the evolution of Fauvism.
As president of the Societe des Artistes Ind??pendants from 1908 until his death, Signac encouraged younger artists (he was the first to buy a painting by Matisse) by exhibiting the controversial works of the Fauves and the Cubists.
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